Cambridge's male-voice early music ensemble
Category: Discs
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Morales Disc 2
This album, the second in a series of twelve that will encompass all of Morales’s Masses and Magnificats, takes as its centrepiece his Requiem, or Missa pro defunctis, in five voices, published in his second book of Masses of 1544 and thus surely written during his time in Rome.
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Morales Project CD 2 Released
Morales Project Volume 2 – our recording of the famous 5-voice Requiem & Officium defunctorum – is now available for purchase! It’s been a while since the Missa Mille regretz album came out, and so we’re thrilled that Volume 2 is finally available.
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Record shop is live!
Our new record shop has gone live! Follow this link to the shop to access our catalogue of discs. Buying our albums from us helps to support the group.
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Morales 1 Commended!
Our first Morales CD has been assigned the prestigious Díapason d’Or from the French classical music magazine Díapason, as mentioned in our review in this month’s issue. We are thrilled!
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Morales 1 Unboxing
Our founder and artistic director, Mark Dourish, has been waiting with great anticipation for the finished prints of our new Morales CD to arrive…
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Morales Disc 1
This album, the first of a planned series of twelve intended to record all of Morales’s Masses and Magnificats, begins with the Missa Mille regretz, in six voices. It is his best-known Mass today, probably because it is based on a famous song attributed (rightly or wrongly—there is some debate) to none other than Josquin des…
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Esquivel CD News
Our album of music by Juan Esquivel was released on Hyperion in March 2020.
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Esquivel’s Secret Garden
A choirboy at the cathedral at Ciudad Rodrigo, the young Juan Esquivel (c1560-1630) was taught by Juan Navarro who had also taught the young Victoria and Vivanco. Esquivel went on to become one of the greatest Spanish composers of the Golden Age though until recently he languished in the shadow of the more famous Morales,…
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Vivanco: Missa Assumpsit Jesus & motets
Conducted by Robert Hollingworth, we perform his Missa Assumpsit Jesus in the context of Mass for the Feast of the Transfiguration. There are also some gorgeous Marian motets (Surge propera, Assumpta est Maria, Veni dilecte mi) and we finish with a world premiere recording of his Magnificat primi toni.
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Ribera: Magnificats and Motets
Bernardino de Ribera (c1520-1580+) was maestro de capilla at Ávila cathedral where he was the first teacher of Tomás Luis de Victoria and Sebastián de Vivanco. He later became director of music at Toledo cathedral. The major manuscript source of his music was compiled in 1570 in Toledo, but was heavily vandalised in the 18th…